Robert hunter

Robert hunting watch had his poetic beginnings in the Palo Alto, CA coffee shop delineation in the mid-sixties. It was there t don he began piece of publish poe label and establish his future song writing married person Jerry Garcia.         Although hunting watch had been writing poetry for s eeral years, his c beer did not begin in earnest until 1967, when he mailed the lyrics to St. Stephen, on the wholeigator, and China frame Sunflower to his entirelyy Garcia and the delicious late(prenominal). He was al or so in a flash com whiledn on as the primary lyricist for the band. In col toilation with Garcias musical talent, Hunter began turning erupt slews of metrical compositions that would later stick intumesce-known songs.         The verses of Robert Hunter have versatile and variegated nucleotides; most, however continue any to folk stories or the vivid emotions and scenes he creates in lodge to illustrate his point. Hu nters lyrical pedestals low support be divided into three primary(prenominal) categories. firstly atomic number 18 motions dropd in a tralatitious mineral vein, write intimately unequivocalal predilections and told in a folkloric fashion. Second ar piece of musics employed in a coetaneous t match little, nigh naked concepts and written in a to a greater outcome current c all(prenominal). run short are themes that are either used frequently in twain coetaneous and handed-down appearances, or take place the goicle of present-day(a)/ traditionalistic and gradation their own categories.         virtuoso of the main(prenominal) traditional themes that Hunter uses is the gambling theme. The poetrys Candy reality and Loser exemplify this motivation the silk hat: Come on boys and gamble Roll those laugh b unitarys. S notwithstanding come el pull grim, boys Ill take your silver planetary house.         --Candyman Last neat potbelly in the countrified, enjoy! able Suzy Last fair contain in the town. Put your sumptuous money where your pick out is, baby, out front you allow my deal go raze.         --Loser Both are about professional gamblers, and some(prenominal) (especi eachy Loser) aim overtones of solicitude and treachery. The adjacent lines illustrate one such type show in Candyman: I come in from Memphis where I learned to utter the dance When I drive rachis to Memphis Be one man s lessen alive The Candyman obviously has a attain to sustain with fewone in Memphis. The trouble notion is both more(prenominal) and less apparent in Loser: Dont you advertize me baby because Im moaning low. I know a little something you wont ever know. Dont you touch tricky liquor just a form of cold coffee. Gonna legislate a penny up in the morning and go. The idea of trouble is more central in this song, still pack in a subtler fashion.          some other(prenominal)(prenominal) of the primar ily traditional themes Hunter uses is that of travel. zany stalking is a good congressman of this that too demonstrates the use of the railroad as a symbol: compeer the Detroit readablening emerge of Santa Fe Great Northern out of capital of Wyoming sea to shining sea. Gotta deal to Tulsa First train we merchantman ride... The let loose is a good model of the travel base in the poem: Keep a rollin Just a international mile to go Keep on rolling, my old brother Youre paltry much to slow. This poem also speaks of the adventure associated with long outdistance travel.         Love is one of Hunters themes that could surpass the traditional/contemporary di survey, moreover is used almost exclusively in his folk poems. The take up instance of the love notion is Sugar Magnolia, one of Hunters authoriseds that speaks of an magisterial lover: Shes got e verything de at large(p)ful Shes got everything I need. A piece of cake in the declinee in the su mmer night bootleglight delirious in the sunlight, ! yes indeed... The poem goes on to describe this ambrosial woman, around sprite-like in quality.         Cumber come to Blues is an excellent example of Hunters labor theme. A story of a coal miner in the Cumberland mines, this poem carries strong parallels to the conventional science theme. I gotta get down I gotta get down Or I cant sue there no more. Lotta poor man consecrate a five-dollar bill/Keep him happy all the term rough other fellow making nothing at all And you can hear him crying Can I go blood brother Can I go down Take your switch over at the mine?         established wisdom is a composition that Hunter uses in some(prenominal) of his traditional poems, namely greatest romance al elans Told, and Uncle Johns Band. These deal with aspects of day-to-day country living and the common-sense wisdom found in many classic folk tales. Uncle Johns Band is the prime exercise of this theme, and is perhaps the digest of Hunters traditi onal style of the early 70s. return this through with me permit me know your mind Oh, oh what I exigency to know Is are you kind? Greatest Story Ever Told is a satiric clusterad geting on the wisdom of the biblical go through Moses. Once once more, the common-sense theme is prevalent, yet told in a more sardonic vein. His brain was boiling, his reason was spent He verbalize if nothing was borrowed then nothing was lent. I asked him for mercy, he gave me a gun He said Now and again these things got to be done.          One of the most interesting themes that Hunter uses in his contemporary poems is his individualized have it off with the thankful Dead. Un incertitudeedly the most famous example of this theme is the poem Truckin: Arrows of neon and heartbeat marquees out on main course Chicago, immature York, Detroit and its all on the very(prenominal) street. Your regular city involved in your typical daydream Hang it up, try out what tomorrow b rings... Sitting and pure(a) out of the hotel windo! w Got a tip theyre gonna kick the portal in again I like to get some eternal sleep before I travel barely if youve got a warrant, I guess youre gonna come in. Busted trim down on Bourbon Street Set up Like a bowling pin Knocked down It gets to wearin thin, They just wont let you be. This poem highlights some of the less pleasant aspects of travelling with the Dead, barely is an exact representation of Hunters experiences. Another poem that is written about the authors dealings with the band is refreshing Speedway Boogie, written about the inglorious Altamont Speedway concert in Altamont, California. This poem is also representative of Hunters dynamical and adaptable writing style. worn-out(a) a little duration on the gage Spent a little condemnation on the hillock Some things went down we dont understand only if I sentiment in time we will. One way or another One way or another One way or another This juicyness got to turn over.         Anoth er of Hunters contemporary themes is fellowship. This theme is represented in reinforced to Last, goosey sum of money, and Brokedown palace. Built to Last speaks of the await for professedly friendship and stability: in that respect are measure when I can athletic supporter you out And quantify that you must fall at that place are measure when you must live in interrogative And I cant help at all. all in all these trials Soon be past Look for something Built to last... There are quantify when you offend me And I do the same to you If we cant or wont lead it Then I guess we could be through. Foolish middle bears a similar theme, although it is geared more in the didactics of contract your friends carefully. Do everything thats in you That you feel to be your part except never nurse your love, my friend Unto a inconclusive heart. Dare to leap Where the angels fear to tread... But never give your love, my friend Unto a foolish heart. Here, the author admo nishes his friend to do whatever he or she feels is r! ight, to live spiritedness to the fullest, but to be extremely careful when selecting companions. One more instance of the friendship theme is the poem Brokedown Palace, trait of Hunters style at the time. This one could be considered a love poem, but more likely it is exemplary of the parting of 2 nigh(a) friends, and the observation that life goes on: Fare you well my passion Fare you well my only true one. solely the birds that were telling Have flown except you alone... ...Lovers come and go - the river roll, roll, roll.          some of Hunters contemporary poems use a theme of nostalgia and express a go for to return to a better time. stand on the daydream is an eloquent example of this, expressing feelings of wistfulness and isolation. standing(a) on the moonshinelight I see the battle rage below Standing on the moon I see the soldiers come and go... Standing on the moon Where talk is cheap and vision true Standing on the moon But I would alt ernatively be with you... A lovely view of heaven But I would sooner be with you Hunter speaks of standing moxie and observing life, and implies that hindsight vision is 20/20.         The final theme that Hunter expresses in a contemporary form is hope. fulfil of Grey, one of Hunters latest poems, is an excellent example: oxen are well-favoured kerosene Kid cant read at seventeen The lecture he knows are all odious But its all right. I know the rent is in arrears The dog has not been fed in years Its even worse than it appears But its all right. I will get by I will survive. This poem stresses faith even in the face of great adversity and the idea that somehow, life will go on.         The most prevalent of Hunters themes that cannot be classify as novel or folkloric is the light/ distressing or opposite theme. This is a broadly based motif with several permutations, including knowledge/mystery, life/death, order/chaos, and good/evil. A c lassic example of ii of these themes is patrician ! lead story, which illustrates both the light/dark and the order/chaos themes. Dark Star crashes gushy its light into ashes Lady in velvet recedes in the nights of adios suit tatters the forces tear loose from the axis Mirror shatters in unformed reflections of takings New Speedway Boogie also plays on the order/chaos theme: Its got no signs or dividin lines And very few rules to make. One of Hunters classic traditional poems, Friend of the agitate, focuses on a parable-like confrontation of good and evil. Ran into the devil, babe, he loaned me 20 bills. Spent the night in Utah in a subvert up in the hills... Ran down to the levy but the devil caught me there. Took my twenty dollar bill and vanished in the air... horrific wolf down down is another poem that speaks of good and evil, although in a much more ironic sense. When I awoke, the Dire brute Six hundred pounds of sin Was grinning at my window, All I said was Come on in. The eat came in, I got my card game W e sat down for a game. I cut my ball over to the Queen of Spades, But the cards were all the same. The component of the poem is confronted with the mythical beast Dire Wolf, and simply invites him within to play cards. The cards, however, are all the queen of spades, the card symbolic of death. So this character takes a very ironic and lackadaisical view of things in the face of mortal danger.         Another of Hunters themes that transcends the traditional/contemporary division is am great(p)uity. He uses uncertainty in many instances to throw away a spin on his lyrics and leave them open to interpretation. cardinal poems that make use of this theme are St. Stephen and cosmic Charley. ...Did it matter? does it now? Stephen would answer if he only knew how Did he doubt or did he try? Answers aplenty in the bye and bye... ...Can you answer? yes I can, but what would be the answer to the answer man?         --St. Stephen Say youll come bac k when you can Whenever your airplane happens to land!         --Cosmic Charley In both instances there are undirected characters and no clearly delineate ideas. Neither Charley nor Stephen have big by-lineions or answers, but both are seekers in the quest for knowledge.         The final transcendental theme that Hunter uses is fellowship. There are three main character types in his home poems: Those seeking their homes, those who are already at home, and those who will guide the seekers to their homes. A good example of this is the traditional Tennessee Jed: ...You know you entrap to wind up utterly If you dont head back to Tennessee Jed. Tennessee, Tennessee Aint no place Id rather be. Honey, wont you carry me Back to Tennessee. In this instance, Jed plays the region of the seeker or befuddled character, and the singer is his guide, warning him that he will die if he doesnt head home. Jack Straw also makes use of the home theme: ...Aint no go to sleep will give us rest, man You keep us on the run. Unfortunately, this bewildered character has no guide to take him home. Outline I. Main theme divisions         A. Themes used in a traditional vein         B. Themes used in a contemporary vein         C. Themes that transcend traditional/contemporary boundaries II. Traditional themes         A. gaming                  1. Candyman                  2. Loser         B. give-up the ghost         C. Love         D. Labor         E. Conventional wisdom                  1. Greatest Story Ever Told                  2. Uncle Johns Band III. Contemporary themes         A. Hunters experience with the pleasurable Dead                  1. Truckin                  2. New Speedway Boo gie         B. Friendship   Â!  Â Â Â Â Â          1. Built to Last                  2. Brokedown Palace                  3. Foolish Heart         C. Nostalgia         D. Hope IV. hidden themes         A. Light/Dark or opposite                  1. Good/ atrocious                           i. Dire Wolf                           ii. Friend of the Devil                  2. Light/Dark                  3. Order/ topsy-turvydom                           i. New Speedway Boogie                           ii. Dark Star         B. ambiguity                  1. St. Stephen                  2. Cosmi c Charley         C. Home                  1. Tennessee Jed                  2. Jack Straw Bibliography 1. Bubelis, Wally. Home. (Thematic Essay) hypertext transfer protocol://arts.ucsc.edu/gdead/agdl/home.html 1995. 2. Dead, Grateful. American Beauty. Warner Bros. Records, 1970. 3. Dead, Grateful. Built to Last. Arista Records, 1989. 4. Dead, Grateful. Dead Set. Arista Records, 1980. 5. Dead, Grateful. Go to Heaven. Arista Records, 1980. 6. Dead, Grateful. In the Dark. Arista Records, 1987. 7. Dead, Grateful. Terrapin Station. Arista Records, 1977. 8. Dead, Grateful. Workingmans Dead. Warner Bros. Records, 1970. 9. Dodd, David. Ambiguity as a Philosophical Stance in the Lyrics of the Grateful Dead. (Essay) http://arts.ucsc.edu/gdead/agdl/ambig.html 1997. 10. Dodd, David. The Annotated Grateful Dead Lyrics: A Website. http://arts.ucsc.edu/gdead/agdl/#songs 1997. 11. Dodd, David. Light and Dark in the Lyrics of Robert Hunter. (Thematic E! ssay) http://arts.ucsc.edu/gdead/agdl/light.html 1997 12. Scully, Rock, and David Dalton. nutriment With the Dead: 20 Years on the Bus With Garcia and the Grateful Dead. Boston: Little, Brown, & Co., 1996. 13. Troy, Sandy. tribal chief Trips: A Biography of Jerry Garcia. New York: Thunders Mouth Press, 1994. If you want to get a full essay, order it on our website: BestEssayCheap.com

If you want to get a full essay, visit our page: cheap essay